FREEHOLD FORUM AUGUST 2008 ISSUE

 




    FREEHOLD FORUM AUGUST 2008 ISSUE


 

This month we are excited to share the following:

  • George Lewis. Read about George's experiences studying and living in Buenos Aires and his return (much heralded by all of us) to Freehold.

  • Paul Mullin. Find out about Paul's reaction to being awarded The Stranger's 2008 Genius Award for Theatre.

  • Marya Sea Kaminski. Read what it meant to Marya to be recognized as the "Best Local Stage Actor" as part of the Seattle Weekly's 2008 Best Of Series.

  • Gin Hammond. Follow along with Gin on the lessons she learned this summer performing Off Broadway in the play NoonDay Sun.

  • Angela Luechtefeld. Catch up on the latest Freehold News by Freehold's Managing Director Angela Luechtefeld in the Managing Director's Corner.

  • Freehold News. Hear about the latest Freehold news and upcoming events.

  • Freehold Faculty and Student News/Shows. See the great work being done by faculty and current students and alums of Freehold.

We always appreciate your input. Please feel free to contact us at (206) 323-7499 x14 or kate@freeholdtheatre.org.

 

 



    Interview with George Lewis

 

George Lewis is one of the founding members of Freehold Theatre as well as being a Freehold faculty member. George's background includes extensive study in corporeal mime with Etienne Decroux in Paris, in the Biomechanics of Meyerhold with Russian master teacher Gennadi Bogdanov, and circus skills at the National Circus School in Paris. George recently returned to Seattle and to Freehold after living in Buenos Aires for six months.

George, we're thrilled to have you back teaching at Freehold this summer and fall after your time in Buenos Aires. Can you share with our readers what your time was like in Buenos Aires?

It is a magnificant city - truly is, as it is called, the Paris of South America - with beautiful old architecture, an enormous European influence. It's a big city - 13 million people - with distinct sections, very flat and certainly not as green as Seattle - I kept looking to the horizon for mountains, and they just aren't there. It is a great city of museums, outdoor statuary, and lovely vast parks. GREAT FOOD - there is a huge Italian population and the Italian restaurants are out of this world. And theatre - I was told there were up to 200 productions running at all times - what I saw was really bright, edgy, well acted and directed.

My own time there - well, I met two friends-of-friends right away and we became very close immediately. At the same time, my language skills were not great, and I spent enormous amounts of time alone. Some time was joyous and some was very lonely. That part of it was challenging and very much what I wanted - a chance to look at myself outside of the familiar. After three months I decided to stay another three - I felt like I was just getting started. The whole thing was a profound experience.

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    FREEHOLD NEWS

 

FREEHOLD'S FALL OPEN HOUSE

Come to Freehold's fabulous fall Open House on Sunday night, September 14th from 7:00-9:00 pm.

*Meet Freehold's phenomenal faculty
*Hear about our exceptional classes
*Snack on delicious beer and pizza

FREE!

Open House will be at Freehold Theatre
2222 2nd Avenue, Suite 200
(on 2nd and Bell)
More information: (206) 323-7499 or info@freeholdtheatre.org

New Play Lab Showcase

The New Play Lab will showcase 8 new plays. The 20-minute excerpts from the plays of Freehold's summer New Play Lab will receive staged readings directed by local professionals Valerie Curtis-Newton, Scot Auguston, Dawson Nichols, and Desdemona Chiang. Sept. 18 - 20, at Freehold Theatre, 2222 2nd Avenue, upstairs. There will be two programs - an A and a B Program.

The performance times are:
Program A, Thurs. Sept. 18, at 7:30pm
Program B, Fri, Sept 19, at 7:30pm
Program B, Sat. Sept 20, at 4:00pm
Program A, Sat. Sept. 20, at 7:30pm
For full program and details, see freeholdtheatre.org or call 206-323-7499.

There is also an Open Call Audition on Wednesday, September 3rd from 5:30 pm-on, for Freehold's New Play Lab Showcase performance, with scenes directed by Valerie Cutis-Newton, Dawson Nichols, Desdemona Chiang. You are committing to two 3-hour staged reading rehearsals. Performances Sept 18 - 20. All types, ages encouraged to apply. To schedule an audition time, contact Jenny at Freehold at info@freeholdtheatre.org or 206-323-7499.

Rehearsal and Performance's Upcoming Show The Man Who Came To Dinner

Freehold Theatre is excited to announce our upcoming performance of The Man Who Came to Dinner performed by students as part of Freehold Theatre's Rehearsal and Performance training class. George S. Kaufman and Moss Hart's play is set in the 1930's in a small Ohio town at Christmas time. The play follows a renowned radio personality who gets invited to dinner at a factory owner's house and slips on some ice outside their house and gets injured requiring him to stay with the factory owner and his family for an extended period of time. The result of this misadventure is a fast and furious comedy with incredibly rich and eccentric characters.

Come see fresh, new talent including Eva Abram, Bill Begorre, Morrie Bills, Fred Cassidy, Jennifer Hamblin, Jonathan Locke, William Hardyman, Jesse Putnam, Nathania tenWolde, Assistant Director/Stage Manager Jeff Woodbridge and led by Freehold Theatre's talented instructor and the play's Director George Lewis.

Don't miss your opportunity to see this very funny and witty work!

Open Dress Rehearsal: Thursday, September 11 at 8:00 pm
Performances: Friday, September 12 and Saturday, September 13 at 8:00 pm
Performances to be held at Freehold Theatre, 2222 2nd Avenue, Suite 200, Seattle
Free, Donations Accepted

Assistant Needed for Fall Voice-Over Class - Significant Discount on Class!

Gin Hammond is seeking a computer assistant for her upcoming fall Voice-Over class. In exchange for assisting her with computer needs, the assistant will receive the Voice-Over class at a substantial discount. Qualifications desired include computer expertise and MP3 experience. Please send a resume to us at info@freeholdtheatre.org. For more information, call us at (206) 323-7499 or email us at info@freeholdtheatre.org.

Freehold's STUDIO SERIES Returns - February 6-February 28, 2009

Part of Freehold's educational mission is to encourage those who study with us to experiment in a performance situation with the process and tools developed in the classroom. As a result, we created the Studio Series: four weeks of performances presenting work created by current and former Freehold students and faculty. We regard the Series primarily as an opportunity for you to study with us to investigate work in a "studio" setting and then to experience the evolution of the work through performance. It's also a great chance to learn more about stagecraft, to interact with other performers, and to experience the process of self production.

The performances will take place in our new theatre at our new home on 2nd Avenue in Belltown. Freehold will provide - at no cost to the participants (except for a $40.00 mentor fee) - performance space, technical support (lights, sound system, and a stage manager), and publicity for the event. Each piece will have two performances: a Friday and Saturday night. In the past, projects in the Series have included: plays, scenes, monologues, original pieces, movement/dance pieces, vocal pieces, marionette shows, clown pieces, and improvisation. In short, anything with dramatic relevance that fits our criteria.

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    Paul Mullin 2008 Stranger Genius Award Winner

 

Paul Mullin is a renowned playwright whose works includes Tuesday as well as Louis Slotin Sonata, which won the L.A. Drama Critics Award and was read by invitation before scientists at the Los Alamos National Laboratory. His play, The Sequence, about the race to decode the human genome, was commissioned by Ensemble Studio Theatre/Alfred P. Sloan Foundation and won First Prize for Stage Play in the 2005 Writers Digest Competition. Paul's latest play The Ten Thousand Things was produced by WET last spring.

Paul, a big congratulations for winning the Stranger's 2008 Genius Award for Theatre. What was your first reaction upon hearing?

Cool! But damn, does this mean I'm going have to stop bad-mouthing THE STRANGER?

Upon further reflection, what does it mean to you to receive this recognition?

Well, it's nice to get an award that recognizes a body of work versus this or that play. I don't think I've ever gotten something like that. Of course, the flip side of that means that I'm getting old. I just hope my body of work doesn't suffer the same ignoble fate that my actual body is undergoing.

What are you working on currently?

I'm currently putting the last touches on my play The Sequence which is about the race to decode the human genome. It will be premiering in Pasadena in October at Theatre @ Boston Court. John Langs is directing and William Salyers will starring in one of the lead roles. Bill also premiered the lead role in my first major play in Seattle, Tuesday, back in 1996. It's so fabulous and fruitful to be able to work with someone over and over again like that.

Beyond that, I have no imminent productions. I am planning to take The Ten Thousand Things on a college tour around Washington State in early 2009. And I'm in the very earliest stages of sketching out a new play, a farce, which as you may know, is the hardest kind of play to wright.

Paul Mullin is on faculty at Freehold teaching Playwriting. For more information about the complete list of the Stranger's 2008 Genius Award Winners, go to: www.slog.thestranger.com




    Marya Sea Kaminski Best Local Stage Performer - Seattle Weekly's Best of 2008

 

Mary Sea Kaminski has written, produced, and performed more than twenty solo performance pieces. Her original work has been seen at La Mama ETC and Performance Space 122 in New York City and in venues all over Seattle. She is a performer, director, and teacher, holds an MFA in Acting from the University of Washington and is a founding member of the Washington Ensemble Theatre. Marya Sea Kaminski was on The Stranger's 2006 and 2007 Genius Shortlist for Theatre and "Best Local Performing Artist" by The Seattle Weekly. The Stranger's Brendan Kiley has said that "Marya is all kinds of artist - she has directed, acted and written shows. Marya is the rare creature who can do it all." Marya was recently seen in the title role of the Seattle Repertory Theatre's production of My Name is Rachel Corrie and at On the Boards in Blah Blah Blah Bang! Marya was chosen by Seattle Weekly readers as the Best Local Stage Performer for 2008.

Marya, what great news about you being chosen by Seattle Weekly readers "Best Local Stage Actor"! What was your first reaction upon hearing?

Well, my friend Micky contacted me one night with a weird "Congratulations friend!" text and I didn't know what he was talking about. And then I opened up the Seattle Weekly the next morning (I'll be honest, I was looking to see if anyone I know was mentioned) and I was floored. I had to sit down. I called my mom. I still can't really believe it and keep seesawing between being unbelievably proud and a little embarrassed. It was a very proud and a very embarrassing moment when the students in my Step Two class mentioned it during our check-in at the beginning of class. But it was really wonderful that my students and friends could share that moment with me. Those are the times when I feel very grateful for my community here in Seattle.

What does it mean to you to receive this recognition from the Seattle community?

To be honored within the community of Seattle's fiercely talented actors and theatre artists is a total thrill. I am heartened to think that the work I've done onstage has connected to people in this city. To be recognized and honored by our audience here in Seattle makes my heart feel very full and beat very fast.

What are you working on currently?

I've got a few things cooking - Earlier this summer, I wrote and directed a new play for the Next Stage's NEXUS Project (for more information, go to: www.nextstage.org) called The Last in the Doom Series and featuring two of my favorite actors - Aaron LaPlante and Sara Porkalob. We're on a great bill and the reviews have been really encouraging, so I'd definitely recommend checking out the evening. It runs until September 7th. I'll also be performing a new solo show called How I Became Such a Quitter (A Tap Dance Part One) at Bumbershoot (for info: www.bumbershoot.org and in the WAA Live! Theatre! Mash-up! at ACT (for information: www.acttheatre.org on September 4th. Other than that, I'll be doing some spoken word with Cheap Wine and Poetry at Bumbershoot and at the Hugo House in November and developing a two-woman cabaret act with my pal Alex Tavares which should go up in January 2009.

To see the complete listing of the other Seattle Weekly 2008 Best Of winners, go to: www.seattleweekly.com/bestof/2008

Marya will be teaching Intro to Acting, Acting with Text and Solo Performance at Freehold Theatre this fall. For more information, go to www.freeholdtheatre.org or call us at (206) 323-7499.




    What I Did On My Summer Vacation by Gin Hammond

 

Gin Hammond received her MFA from the American Repertory Theatre Institute for Advanced Theatre Training at Harvard University/Moscow Art Theatre School. A native of San Diego, she has worked steadily across the country at theatres such as The Guthrie, Arena Stage, The Longwharf Theatre, ACT, The Pasadena Playhouse, ART, The Berkshire Theatre Festival and The Studio Theatre. Gin has also appeared on radio stations as part of Imagination Theatre and was recently seen in an Off-Broadway play called NoonDay Sun. More information about Gin can be found at her website: www.ginhammond.com.

Got a call out of the blue to do one of my all-time favorite plays, NoonDay Sun, Off-Broadway. Not only would a close friend of mine be in it (Melanie Nichols-King from The Wire and How She Move), but the cast would also include Obie Award winning Broadway actor Ron Cephas Jones, and Michael McGlone from The Brothers McMullin. I'd like to tell you just a few things I learned on the way to opening the show last week.

Lesson #1: Keep the Faith

I first did this show seven years ago as part of a small theatre festival held at a college out in Montclair, New Jersey. I auditioned simply because it was an Equity role with a character that obviously fit me. Turns out I got to work on a great script, with five amazing actors, and a very strong director named John Wooten. We had standing ovations and standing room only crowds. There was so much buzz we had backers' readings scheduled at Radio City Music Hall ... for September 13th, 2001. Shockingly, five people did show up, and I got a manager out of that reading. And though it took seven years, somehow the script ended up on the desk of Diverse City Theatre's artistic director, Victor Lirio. Even now, no one actually knows how it got there, but I hope it has something to do with me handing the script to literary managers all over the country when I was on tour with The Syringa Tree.

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    The Managing Director's Corner with Angela Luechtefeld

 

Dear Freehold Community,

We are pleased to announce that Registration for our Fall Quarter is now open online. Go to www.freeholdtheatre.org www.freeholdtheatre.org to see all the class descriptions and to register. We are excited to offer two new classes: Theatrical Song Interpretation/Auditioning for the Musical Theater taught by Billie Wildrick and Crafting the Ten Minute Play taught by John Longenbaugh.

We are also announcing a new tuition pricing structure. Due to increased expenses and a desire to strive for parity of instructor salaries compared to other institutions, we found it necessary to increase our tuition overall. However, we also donÕt want to make it difficult for those with smaller incomes to take a class; so we have developed a two-tiered pricing structure. When you register, we will ask you to report the number of people living in your household (adults and children) and the gross annual income for your household for 2007 to determine which pricing tier you will be included in. This information is self-reported and no documentation is required initially, however, we may ask you to verify your income at any time.

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    Freehold Faculty/Alum Shows and News

 

FREEHOLD FACULTY NEWS

Geof Alm is in the last week of his work at Shakespeare Santa Cruz, where he has been directing fights for Romeo and Juliet, Bach at Leipzig, and Burn This. Geof will be teaching at the Young Actor Institute for Seattle Children's Theatre, and this fall will be directing the Zombie violence for Night of the Living Dead at SCT, Elektra at Seattle Opera, and will performing in The Three Muskateers as D'artagnons Father and Treville at Seattle Rep.

Daemond Arrindell. Every Wednesday night at ToST in Fremont, The Seattle Poetry Slam hosts a spoken word extravaganza. 8 p.m., $5 cover, 21 & over IC required, go to www.seattlepoetryslam.

John Jacobsen just completed his screenplay adaptation of E. Nesbitt's "House of Arden" for a Los Angeles production company and is starting research for a studio feature, a film based on the infamous WWII battle in Huertgen Forest. He is also scheduled to start production in '08 on "Sweat", a PBS documentary on the history of the famous saunas and spas around the world.

Marya Sea Kaminski will be performing in the following:

NEXT STAGE'S NEW PLAY FESTIVAL
The Last in the Doom Series
written and directed by Marya Sea Kaminski
Hugo House; Seattle, WA
August 15 - September 15 2008

BUMBERSHOOT
Unicycle Collective at the Centerhouse Theatre
Saturday August 30, 2:45 - 3:45 & Monday September 1, 3 - 4pm
Cheap Wine and Poetry on the Leo K Stage at the Seattle Rep
Monday September 1st, 5:15pm (Labor Day)

John Longenbaugh, Elizabeth Heffron, Marya Sea Kaminski are contributing plays to the Nexus Project, a festival of 10 minute plays inspired by and benefitting local charities running through September 7th. For more information, go to www.nextstage.org.

Darragh Kennan, Paul Morgan Stetler and Amy Thone will be performing in The New Century Theatre Company's first show, The Adding Machine by Elmer Rice. The show will be running November 13 through December 13 in ACT Theatre's Fall Theatre Space in the historic Kreielsheimer building in downtown Seattle. For more information, go to: www.newcenturytheatre.company.org

Matt Smith can be seen in the nationally released feature film "Outsourced" produced by local film company Shadowcatcher. For more information, go to www.outsourcedthemovie.com.

Billie Willdrick will be playing Maggie in Saint Heaven at Village Theatre running September 17 - November 23rd. For more information, go to www.villagetheatre.org.

FREEHOLD STUDENT/ALUM NEWS

Michelle Flowers is in the Rocky Horror Show at Burien Little Theatre. For more information, www.burienlittletheatre.com.

Irwin Galan just completed a TV commercial for Credit Union of Washington and in September will be in LA MAriposa with Book-It All Over.

Mari Geasair will be appearing as Minka Lupino in Murderers at Vintage Theatre in Denver, Colorado October 2nd-November 2nd. For more information, www.vintagetheatre.com. Mari will also be performing with Phillip Mitchell in the same production of Three Viewings here in Seattle with Cheshire Cat Theatre Company (Performances at Stone Soup) from January 16th - February 7th. For more information, www.cheshirecattheatre.weebly.com/.

Chris MacDonaldis in The White Devil at Theater Schmeater. For more information, go to www.schmeater.org.

Kirsten McCory will be in The Fifteen Minute Hamlet at Stone Soup Theatre. For more information, go to www.stonesouptheatre.com.

Kate Parker is performing in the Nexus Project. For more information, go to www.nextstage.org.

Louise Penberthy is playing Terent'evna in the radio play Diary of a Superfluous Man with The McCroskey Memorial Internet Playhouse. For more information, www.theinternetplayhouse.com.

Vera Werre will be in Not Now Darling with the Community Valley Players. For more details, directions and to purchase tickets go to: www.valleycommunityplayers.org.




    Freehold Theatre Guild

 

Freehold Theatre Guild

The Theatre Guild is composed of a group of Freehold students and alumni who have shared in the unique Freehold experience. Freehold Theatre Guild's (FTG's) stated mission is "To help members of the Freehold Theatre Guild make the transition from student to active participant in the greater theater community". For those interested in joining Freehold's Theatre Guild, email Andy Tribolini at atribolini@hotmail.com with your desire to join. You will receive confirmation of membership by receiving notices about monthly meetings and activities in which you are strongly encouraged to participate. The Theatre Guild would love to have you be a part of the group!

 

 



    About Freehold

 

A group of artists, who after years of professional work felt that the full potential of the theatrical event had yet to be realized, founded Freehold Theatre in the summer of 1991 when two prominent actor studios-the Pasqualini-Smith Studio (est. 1985) and the Mark Jenkins Actors' Workshop (est. 1985) joined forces. The founders, Robin Lynn Smith, Mark Jenkins and George Lewis, among others, are professional actors and directors whose credentials include recognized work on and off Broadway, as well as in major films, television, and regional theatre. They formulated the following mission: Freehold engages artists of all levels in training and experimentation so that they may become more innovative and heartfelt in generating theatre that has a lasting impact on the community we serve.

As a center for the development and practice of theatre, Freehold Theatre is committed to art that embraces the full range of human experience and that inspires performers and audience to connect more deeply to themselves and to each other. We move toward this goal in four ways:

  • Our Studio provides a place for actors, from inspired novices to working professionals, to train.
  • Our Theatre Lab provides a forum for mature artists to research and develop new work and to re-interpret classics.
  • Our Engaged Theatre Program reaches out to culturally under-served communities.
  • Our rehearsal and performance facilities located in Belltown comprises of three rehearsal and performance studios, including a fully equipped 49-seat black box theatre.
Here we strive to provide our artists with the tools necessary to make a deep and lasting impact on the community based on organic esthetics. Freehold has become an integral part of Seattle's thriving theatre community, having gained a reputation as the place for serious young artists to train and take the leap into performing and creating original work.

In 2003 we developed an Engaged Theatre program in which we reach out to culturally under-served communities. The program comprises an annual tour to organizations that represent culturally under-served populations and a four-month residency at Washington Corrections Center for Women, in which the women create, rehearse and perform a theatre production. This year for the first time, George Lewis has developed a similar pilot program at the Monroe Correctional Center for Men.

For more information about our programs and services see our website: www.freeholdtheatre.org.




    What is the Freehold Forum?

 

The Freehold Forum E-Newsletter was born out of our desire to respond to requests from you, our Freehold community, to hear about the innovative and powerful work being done at Freehold Theatre by our incredibly talented and diverse faculty and alumni. The Forum will provide you with a wealth of information that will serve you in your work as an artist. The monthly Freehold Forum will include insightful interviews with talented actors, directors and playwrights, compelling articles on a wide array of topics to assist you in your artistic growth, cutting edge news on upcoming Freehold Faculty and alumni performances, highly newsworthy articles by Freehold's Theatre Guild and Freehold Calendar Highlights showcasing upcoming must-see Freehold Calendar events.




    Become A Part of the Freehold Community!

 

Freehold is always looking for people interested in joining our team of committed and enthusiastic volunteers. Whether you have time, wisdom, strength, money, a desire to be involved in your community, or any combination thereof, we would love to have you join in our efforts. Here are some ways you can participate in our work at Freehold:

Volunteer Opportunities

Volunteers are highly treasured at Freehold!! We rely on and appreciate the invaluable and diverse skills our volunteers contribute which enable us to further our mission. We are currently seeking volunteers to help us with our administrative functions, staff performances and fundraising events!! If you have the desire to be part of a committed group of staff and other volunteers, please give us a call at 206-323-7499.

Donations

Freehold is a 501(c)(3) non-profit organization. We rely on philanthropic donations from the community to help us continue to be a part of the theatre community and to keep the cost of our classes affordable.

Donations may be sent to: Freehold Theatre, 2222 2nd Floor, Suite 200, Seattle, WA 98121.

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Interview with George Lewis

Did you have a chance to develop or perform any work while you were away?

I rented a studio and went in four times a week to work alone. First, just vocal and physical training, then little by little, improvisation. Just towards the end a couple of ideas surfaced - clown things - and I performed one of them before I left. There's some great clown work there - I met a group of clowns and taught/directed them for the last month I was there. Also I taught a couple of three-hour biomechanics classes that were very well attended and very well received. All of this was in Spanish, so I guess you can teach old dogs new tricks. And I did some creative writing - short stories, which I've never done before. Sitting in a cafe scribbling in a notebook, and pretending I was Hemingway.

How is it to be back in Seattle?

It is good to be back. I love Seattle, and missed my friends. And the mountains, And my cat. And, very much, Freehold and Robin. Not to mention blueberries and movies in English or with English subtitles.

What are you working on currently?

I am continuing to work on those two pieces I developed while I was away. I also have a group project in mind that I've spoken to some people about, but it's too early to say anything about. Right now I'm directing The Man Who Came to Dinner with Freehold Theatre's Rehearsal and Performance class, which is a real kick. To be performed in September: Come see it!

Our students are eager to know how much longer you might be teaching at Freehold. Do you know what your future plans look like?

I will be here at Freehold teaching through the fall. I plan on going back to Buenos Aires - would like to live bicoastal/bicontinental. Just skip winter altogether but will return to Seattle in the Spring and Summer. At least that's the plan for now ....

George Lewis will be teaching Accelerated Intro to Acting and Personal Clown at Freehold this fall. For more information, go to www.freeholdtheatre.org or call us at (206) 323-7499.

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STUDIO SERIES Returns

The Studio Series is an ensemble event intended to encourage Freehold's theatre artists to further their work in the performance arena; It is a great opportunity to take your craft - be it that of actor, director, writer, movement artist/choreographer, performance artist, opera singer, spoken word artist - to the next stage. It is not a showcase opportunity for individual talent. Its success is predicated on the participants' willingness to support each other's work.

Applications will be available online or at Freehold in mid-September. A Letter of Intent outlining the general idea for the piece must be submitted no later than October 10, 2008. We will contact you for a brief meeting before you fill out the application.

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What I Did on My Summer Vacation with Gin Hammond

Lesson #2: Chakras Are Powerful Things

Frankly, the new director we had for the 2008 version of NoonDay Sun was profoundly under-prepared. I still had a strong sense of the rhythm of the show, what worked, what didn't because my character is on stage for the vast majority of the play. The director had ego issues and felt threatened by actors asking him to clarify his intentions. Tired of the fuss caused by asking the director questions and expressing my opinions, I started refraining from expressing myself. Then, one morning I woke up unable to move my neck. For two days I was physically a robot during rehearsals, and even started having trouble swallowing and moving my jaw. Nothing like this had ever happened to me before! I got a massage, went to an acupuncturist (who said I was so tense I was making the needles pop out), and then I finally went to a fantastic chiropractor who also does chakra work. As we were talking it dawned on me that the "pain in the neck" I was feeling corresponded to the 5th chakra, the center of creativity and communication. I burst into tears and started practicing my new mantra, "Let go." Two days later I could move my neck. That director by the way? He disappeared two days before our first audience. Victor Lirio, the theatre's fabulous artistic director, swooped in and cleaned up the directorial mess the disappearing director left behind. That was a lot of work, but a backwards blessing to be sure.

Lesson # 3: Training/Experience is Everything

Such situations are a perfect example of why training is so important. Frequently, actors receive little direction with regard to elements such as dialect, physicality, given circumstances, and how high the stakes are in a scene. (This is hugely true for film as well). You have to be able to do this yourself. Working with a director who understands such things is fantastically stimulating and fun, but you also have to be ready to work with the directors who rely on actors to clarify the details. Having these skills is also what gets many actors hired again.

Lesson #4: I love Seattle

Working outside of Seattle is always a good adventure, helps get the word out that there's talent in Seattle, and gives artists an opportunity to bring new ideas back home. While I've been in Manhattan, I've stayed on the 59th Floor of a new, deluxe apartment on 42nd Street, in a huge and stylish loft in SoHo, and in one of the Trump Towers across the street from Central Park (I'm writing this under a crystal chandelier, next to floor-to-ceiling windows). But I miss Seattle. I miss the natural beauty, the space, and the way Seattle allows me to focus more clearly on what I want to create. If we as artists can appreciate what we've got in our city, keep that creative fire burning, keep our standards high, and boldly manifest our dreams, we will have the best of all worlds.

Gin will be teaching a Voice-Over class at Freehold this fall. For more information, www.freeholdtheatre.org or call our office at (206) 323-7499.

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Managing Director's Corner

We know that everyone has been hit hard by the growing inflation this summer and a great deal of consideration has gone into creating the new tuition pricing. Every month, management and the Board of Directors takes a close look at our expenses and makes adjustments as necessary, thereby continuing to run the organization as a 'very tight ship.' Freehold has made very minor increases to tuition over the years and some classes have had no increase. The cost of living has simply caught up with us and we are finding it necessary to earn additional income (tuition and rentals) as well as receive increased/new contributions in order to hold the line on expenses and to do better by our fabulous and talented instructors.

While no one likes to see prices increase, please know that your tuition payments are doing a lot of good. You are helping to keep amazing instructors teaching our classes (and keeping them living and performing in Seattle!) and you are helping to keep Freehold a financially healthy and sustainable organization.

The increases in tuition vary by class. Some class prices will not increase in Tier I (the first level of the two-tiered pricing system) but a majority of them will see a 3-4% increase from today's prices. The Tier II class prices will see a 14-16% increase from today's prices. The two tiers were determined using the King County household income levels as a guide, with our levels for Tier II being set well above the county median.

As a non-profit, even with the increases in tuition, Freehold is continuing to subsidize the full cost of the studio classes. In the past the classes have been subsidized as much as 35%, meaning that the tuition was only covering 65% of the actual cost of running a class. With the new pricing structure, Tier I tuition is being subsidized 25-30% and Tier II tuition is being subsidized 10-15%. The subsidized portion of all classes is covered by grants from foundations, corporations, and government agencies and by individual donations. We are extremely grateful to everyone who contributes to Freehold and continues to make the Studio Classes possible!

We hope you have an amazing quarter of learning and experience! Don't forget that if you register for class by 5pm on September 4, you will receive a 5% discount.

As part of the Freehold Community, your opinion is important and invaluable to us. If you have questions, concerns or comments about the new pricing structureÑwe want to hear from you! Please feel free to contact me (Angela@freeholdtheatre.org), or our Board President, Liza Comtois (Liza@freeholdtheatre.org) to discuss this new structure.

Sincerely,

Angela
Angela Luechtefeld
Managing Director

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