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Paul Mullin is a renowned playwright whose works includes Tuesday as well as Louis Slotin Sonata, which won the
L.A. Drama Critics Award and was read by invitation before scientists at the Los Alamos National Laboratory. His play,
The Sequence, about the race to decode the human genome, was commissioned by Ensemble Studio Theatre/Alfred P. Sloan
Foundation and won First Prize for Stage Play in the 2005 Writers Digest Competition. Paul's latest play
The Ten Thousand Things was produced by WET last spring.
Paul, a big congratulations for winning the Stranger's 2008 Genius Award for
Theatre. What was your first reaction upon hearing?
Cool! But damn, does this mean I'm going have to stop bad-mouthing THE STRANGER?
Upon further reflection, what does it mean to you to receive this recognition?
Well, it's nice to get an award that recognizes a body of work versus this or that play.
I don't think I've ever gotten something like that. Of course, the flip side of that means that I'm getting old.
I just hope my body of work doesn't suffer the same ignoble fate that my actual body is undergoing.
What are you working on currently?
I'm currently putting the last touches on my play The Sequence which is about the race to decode the human genome.
It will be premiering in Pasadena in October at Theatre @ Boston Court. John Langs is directing and William Salyers
will starring in one of the lead roles. Bill also premiered the lead role in my first major play in Seattle, Tuesday,
back in 1996. It's so fabulous and fruitful to be able to work with someone over and over again like that.
Beyond that, I have no imminent productions. I am planning to take The Ten Thousand Things on a college tour around
Washington State in early 2009. And I'm in the very earliest stages of sketching out a new play, a farce, which as
you may know, is the hardest kind of play to wright.
Paul Mullin is on faculty at Freehold teaching Playwriting. For more information about the complete list of the Stranger's 2008 Genius Award
Winners, go to: www.slog.thestranger.com

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Marya Sea Kaminski Best Local Stage Performer - Seattle Weekly's Best of 2008
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Mary Sea Kaminski has written, produced, and performed more than twenty solo performance pieces. Her original work
has been seen at La Mama ETC and Performance Space 122 in New York City and in venues all over Seattle. She is a performer,
director, and teacher, holds an MFA in Acting from the University of Washington and is a founding member of the Washington
Ensemble Theatre. Marya Sea Kaminski was on The Stranger's 2006 and 2007 Genius Shortlist for Theatre and "Best Local Performing Artist"
by The Seattle Weekly. The Stranger's Brendan Kiley has said that "Marya is all kinds of artist - she has directed, acted and written shows.
Marya is the rare creature who can do it all." Marya was recently seen in the title role of the Seattle Repertory Theatre's production of
My Name is Rachel Corrie and at On the Boards in Blah Blah Blah Bang! Marya was chosen by Seattle Weekly readers as the Best Local Stage
Performer for 2008.
Marya, what great news about you being chosen by Seattle Weekly readers
"Best Local Stage Actor"! What was your first reaction upon hearing?
Well, my friend Micky contacted me one night with a weird "Congratulations friend!" text and I didn't know what he was talking about.
And then I opened up the Seattle Weekly the next morning (I'll be honest, I was looking to see if anyone I know was mentioned) and I was floored.
I had to sit down. I called my mom. I still can't really believe it and keep seesawing between being unbelievably proud and a little embarrassed.
It was a very proud and a very embarrassing moment when the students in my Step Two class mentioned it during our check-in at the beginning of class.
But it was really wonderful that my students and friends could share that moment with me. Those are the times when I feel very grateful for my
community here in Seattle.
What does it mean to you to receive this recognition from the Seattle
community?
To be honored within the community of Seattle's fiercely talented actors and theatre artists is a total thrill.
I am heartened to think that the work I've done onstage has connected to people in this city. To be recognized and honored by our
audience here in Seattle makes my heart feel very full and beat very fast.
What are you working on currently?
I've got a few things cooking - Earlier this summer, I wrote and directed a new play for the Next Stage's NEXUS Project (for more information, go to:
www.nextstage.org) called
The Last in the Doom Series and featuring two of my favorite actors - Aaron LaPlante and Sara Porkalob. We're on a great bill
and the reviews have been really encouraging, so I'd definitely recommend checking out the evening. It runs until September 7th.
I'll also be performing a new solo show called How I Became Such a Quitter (A Tap Dance Part One) at Bumbershoot (for info: www.bumbershoot.org
and in the WAA Live!
Theatre! Mash-up! at ACT (for information: www.acttheatre.org on September 4th. Other than that, I'll be doing some spoken word with Cheap Wine and Poetry at Bumbershoot
and at the Hugo House in November and developing a two-woman cabaret act with my pal Alex Tavares which should go up in January 2009.
To see the complete listing of the other Seattle Weekly 2008 Best Of winners, go to:
www.seattleweekly.com/bestof/2008
Marya will be teaching Intro to Acting, Acting with Text and Solo Performance at Freehold Theatre this fall. For more information, go to
www.freeholdtheatre.org or call us at (206) 323-7499.

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What I Did On My Summer Vacation by Gin Hammond
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Gin Hammond received her MFA from the American Repertory Theatre Institute for Advanced Theatre Training at Harvard
University/Moscow Art Theatre School. A native of San Diego, she has worked steadily across the country at theatres
such as The Guthrie, Arena Stage, The Longwharf Theatre, ACT, The Pasadena Playhouse, ART, The Berkshire Theatre
Festival and The Studio Theatre. Gin has also appeared on radio stations as part of Imagination Theatre and was recently seen in an Off-Broadway play
called NoonDay Sun.
More information about Gin can be found at her website: www.ginhammond.com.
Got a call out of the blue to do one of my all-time favorite plays, NoonDay Sun, Off-Broadway.
Not only would a close friend of mine be in it (Melanie Nichols-King from The Wire and How She Move), but the cast would also include
Obie Award winning Broadway actor Ron Cephas Jones, and Michael McGlone from The Brothers McMullin. I'd like to tell you just a few
things I learned on the way to opening the show last week.
Lesson #1: Keep the Faith
I first did this show seven years ago as part of a small theatre festival held at a college out in Montclair, New Jersey.
I auditioned simply because it was an Equity role with a character that obviously fit me. Turns out I got to work on a
great script, with five amazing actors, and a very strong director named John Wooten. We had standing ovations and standing room only crowds.
There was so much buzz we had backers' readings scheduled at Radio City Music Hall ... for September 13th, 2001. Shockingly, five people did show up, and I got a manager out of that reading. And though it took seven years, somehow the script ended up
on the desk of Diverse City Theatre's artistic director, Victor Lirio. Even now, no one actually knows how it got there, but
I hope it has something to do with me handing the script to literary managers all over the country when I was on tour
with The Syringa Tree.
more ...
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The Managing Director's Corner with Angela Luechtefeld
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Dear Freehold Community,
We are pleased to announce that Registration for our Fall Quarter is now
open online. Go to www.freeholdtheatre.org www.freeholdtheatre.org
to see all the class descriptions and to register. We are excited to offer
two new classes: Theatrical Song Interpretation/Auditioning for the Musical
Theater taught by Billie Wildrick and Crafting the Ten Minute Play taught by
John Longenbaugh.
We are also announcing a new tuition pricing structure. Due to increased
expenses and a desire to strive for parity of instructor salaries compared
to other institutions, we found it necessary to increase our tuition
overall. However, we also donÕt want to make it difficult for those with
smaller incomes to take a class; so we have developed a two-tiered pricing
structure. When you register, we will ask you to report the number of people
living in your household (adults and children) and the gross annual income
for your household for 2007 to determine which pricing tier you will be
included in. This information is self-reported and no documentation is
required initially, however, we may ask you to verify your income at any
time.
more ...
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Freehold Faculty/Alum Shows and News
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FREEHOLD FACULTY NEWS
Geof Alm is in the last week of his work at Shakespeare Santa Cruz, where he has been directing fights for Romeo and Juliet, Bach at Leipzig,
and Burn This. Geof will be teaching at the Young Actor Institute for Seattle Children's Theatre, and this fall will be directing the
Zombie violence for Night of the Living Dead at SCT, Elektra at Seattle Opera, and will performing in The Three Muskateers
as D'artagnons Father and Treville at Seattle Rep.
Daemond Arrindell. Every Wednesday night at ToST in Fremont, The Seattle Poetry Slam hosts a spoken word extravaganza.
8 p.m., $5 cover, 21 & over IC required, go to www.seattlepoetryslam.
John Jacobsen just completed his screenplay adaptation of E. Nesbitt's
"House of Arden" for a Los Angeles production company and is starting
research for a studio feature, a film based on the infamous WWII battle in
Huertgen Forest. He is also scheduled to start production in '08 on
"Sweat", a PBS documentary on the history of the famous saunas and spas
around the world.
Marya Sea Kaminski will be performing in the following:
NEXT STAGE'S NEW PLAY FESTIVAL
The Last in the Doom Series
written and directed by Marya Sea Kaminski
Hugo House; Seattle, WA
August 15 - September 15 2008
BUMBERSHOOT
Unicycle Collective at the Centerhouse Theatre
Saturday August 30, 2:45 - 3:45 & Monday September 1, 3 - 4pm
Cheap Wine and Poetry on the Leo K Stage at the Seattle Rep
Monday September 1st, 5:15pm (Labor Day)
John Longenbaugh, Elizabeth Heffron, Marya Sea Kaminski are contributing plays to the Nexus Project, a festival of 10 minute plays inspired by and
benefitting local charities running through September 7th. For more information, go to www.nextstage.org.
Darragh Kennan, Paul Morgan Stetler and Amy Thone will be performing in The New Century Theatre Company's first show, The Adding Machine by
Elmer Rice. The show will be running November 13 through December 13 in ACT Theatre's Fall Theatre Space in the historic Kreielsheimer building in
downtown Seattle. For more information, go to: www.newcenturytheatre.company.org
Matt Smith can be seen in the nationally released feature film "Outsourced" produced by local film company Shadowcatcher.
For more information, go to www.outsourcedthemovie.com.
Billie Willdrick will be playing Maggie in Saint Heaven at Village Theatre running September 17 - November 23rd.
For more information, go to
www.villagetheatre.org.
FREEHOLD STUDENT/ALUM NEWS
Michelle Flowers is in the Rocky Horror Show at Burien Little Theatre. For more information,
www.burienlittletheatre.com.
Irwin Galan just completed a TV commercial for Credit Union of Washington and in September will be in LA MAriposa with Book-It All Over.
Mari Geasair will be appearing as Minka Lupino in Murderers at Vintage Theatre in Denver, Colorado October 2nd-November 2nd. For more information,
www.vintagetheatre.com. Mari will also be performing with Phillip Mitchell in the
same production of Three Viewings here in Seattle with Cheshire Cat Theatre Company (Performances at Stone Soup) from
January 16th - February 7th. For more information, www.cheshirecattheatre.weebly.com/.
Chris MacDonaldis in The White Devil at Theater Schmeater. For more information, go to www.schmeater.org.
Kirsten McCory will be in The Fifteen Minute Hamlet at Stone Soup Theatre. For more information, go to
www.stonesouptheatre.com.
Kate Parker is performing in the Nexus Project. For more information, go to www.nextstage.org.
Louise Penberthy is playing Terent'evna in the radio play Diary of a Superfluous Man with The
McCroskey Memorial Internet Playhouse. For more information, www.theinternetplayhouse.com.
Vera Werre will be in Not Now Darling with the Community Valley Players. For more details, directions and to purchase tickets go to:
www.valleycommunityplayers.org.

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Freehold Theatre Guild
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Freehold Theatre Guild
The Theatre Guild is composed of a group of Freehold students and alumni who have shared in the unique Freehold experience.
Freehold Theatre Guild's (FTG's) stated mission is "To help members of the Freehold Theatre Guild make the transition from student
to active participant in the greater theater community". For those interested in joining Freehold's Theatre Guild, email Andy Tribolini
at atribolini@hotmail.com with your desire to join. You will receive confirmation of membership
by receiving notices about monthly
meetings and activities in which you are strongly encouraged to participate. The Theatre Guild would love to have you be a part of the group!
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About Freehold
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A group of artists, who after years of professional work felt that the full potential of the theatrical event
had yet to be realized, founded Freehold Theatre in the summer of 1991 when two prominent actor studios-the
Pasqualini-Smith Studio (est. 1985) and the Mark Jenkins Actors' Workshop (est. 1985) joined forces. The
founders, Robin Lynn Smith, Mark Jenkins and George Lewis, among others, are professional actors and directors
whose credentials include recognized work on and off Broadway, as well as in major films, television, and regional
theatre. They formulated the following mission: Freehold engages artists of all levels in training and experimentation
so that they may become more innovative and heartfelt in generating theatre that has a lasting impact on the community we serve.
As a center for the development and practice of theatre, Freehold Theatre is committed to art that embraces the full
range of human experience and that inspires performers and audience to connect more deeply to themselves and to each other.
We move toward this goal in four ways:
- Our Studio provides a place for actors, from inspired novices to working professionals, to train.
- Our Theatre Lab provides a forum for mature artists to research and develop new work and to re-interpret classics.
- Our Engaged Theatre Program reaches out to culturally under-served communities.
- Our rehearsal and performance facilities located in Belltown comprises of three rehearsal and
performance studios, including a fully equipped 49-seat black box theatre.
Here we strive to provide our artists with the tools necessary to make a deep and lasting impact on the community based on
organic esthetics. Freehold has become an integral part of Seattle's thriving theatre community, having gained a reputation
as the place for serious young artists to train and take the leap into performing and creating original work.
In 2003 we developed an Engaged Theatre program in which we reach out to culturally under-served communities. The program
comprises an annual tour to organizations that represent culturally under-served populations and a four-month residency at
Washington Corrections Center for Women, in which the women create, rehearse and perform a theatre production. This year
for the first time, George Lewis has developed a similar pilot program at the Monroe Correctional Center for Men.
For more information about our programs and services see our website: www.freeholdtheatre.org.

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What is the Freehold Forum?
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The Freehold Forum E-Newsletter was born out of our desire to respond to requests from you, our Freehold community,
to hear about the innovative and powerful work being done at Freehold Theatre by our incredibly talented and diverse
faculty and alumni. The Forum will provide you with a wealth of information that will serve you in your work as an artist.
The monthly Freehold Forum will include insightful interviews with talented actors, directors and playwrights, compelling
articles on a wide array of topics to assist you in your artistic growth, cutting edge news on upcoming Freehold Faculty and
alumni performances, highly newsworthy articles by Freehold's Theatre Guild and Freehold Calendar Highlights showcasing
upcoming must-see Freehold Calendar events.

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Become A Part of the Freehold Community!
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Freehold is always looking for people interested in joining our team of committed and enthusiastic volunteers.
Whether you have time, wisdom, strength, money, a desire to be involved in your community, or any combination thereof,
we would love to have you join in our efforts. Here are some ways you can participate in our work at Freehold:
Volunteer Opportunities
Volunteers are highly treasured at Freehold!! We rely on and appreciate the invaluable and diverse skills
our volunteers contribute which enable us to further our mission. We are currently seeking volunteers to help
us with our administrative functions, staff performances and fundraising events!! If you have the desire to be
part of a committed group of staff and other volunteers, please give us a call at 206-323-7499.
Donations
Freehold is a 501(c)(3) non-profit organization. We rely on philanthropic donations from the community to help us
continue to be a part of the theatre community and to keep the cost of our classes affordable. Donations may be
sent to: Freehold Theatre, 2222 2nd Floor, Suite 200, Seattle, WA 98121.
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